Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.
In the distant future, Flashback Films has been taken over by a sinister soda company, and the state of the movie industry is wilder than ever! Robots are replacing the studio's workforce, and Time Travel is on the cutting edge of moviemaking technology. Jack Taylor, the back lot's last human janitor, plunges the studio into chaos in order to steal a date with starlet Tiffany Sloane. To fix his mistakes, Jack commandeers the studio's prop-collecting time machine and ends up at the center of an explosive corporate conspiracy. Science fiction adventure meets Hollywood satire in this action-packed comedy as jack and Tiffany escape the clutches of furious studio executives, gun-toting reporters, an angry velociraptor, and an entire army of robots. With danger and hilarity around every corner, it's gonna take one hell of a janitor to clean up this mess!
Pixar's unprecedented string of hit animated features was built on the short films in this collection. John Lasseter and Ed Catmull used these cartoons the way Walt Disney used the "Silly Symphonies" during the 1930s: as a training ground for artists and a way to explore the potential of a new medium. Although it's only 90 seconds long, "Luxo, Jr." (1986) ranks as the "Steamboat Willie" of computer animation: For the first time, audiences believed CG characters could think and feel. (It was also the first CG film to make audiences laugh.) The long-unseen films for Sesame Street are an unexpected bonus.
Anyone can hold a mini-DV camera. Anyone can get 99 euros in credit. And everyone has already written a five-minute story in school. So everyone is actually prepared to make a 99euro-film. but "99euro-films" is more. It is the proof that German films can also be wild, new, modern, funny, political and entertaining. And all that in 80 minutes. 12 young German filmmakers come together, inspire exciting young actors and go: have an idea and simply film it. Just do it and be independent.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.
INCLUDES THE FOLLOWING SHORTS: "John Henry," "Lorenzo," "The Little Matchgirl," "How To Hook Up Your Home Theater," "Tick Tock Tale," "Prep & Landing: Operation Secret Santa," "The Ballad Of Nessie," "Tangled Ever After," "Paperman," "Get A Horse!", "Feast," "Frozen Fever"
Pocahontas' journey to the land of the settlers is softened with the help of comic sidekicks White Eagle and Fluffy Wing. Along with an upbeat soundtrack, the story showcases the American Indian girl's union with John Smith.
An ode to film preservation, it presents a night-time visit to a seemingly depopulated repository (presumably the Royal Film Archive of Belgium), juxtaposing a series of images of observation, reconstruction, and projection using film fragments - from the hand-painted, altered image frames of Georges Méliès' Kingdom of the Fairies to the iconic image of Louise Brooks - to turn the archive into a temporal wonderland of novel discoveries, hidden treasure, re-awakened curiosity, and critical re-assessment.
The brave sailor Sinbad and his loyal servant Habeeb find themselves aboard the ship of Captain Aziz, a trip for which Sinbad had spent all of his father's fortune. They crew spot an uncharted island, which Sinbad encourages the Captain to approach, hoping that it holds untold riches. Sinbad, Habeeb and two other sailors take a rowboat to the island, which has a strange appearance: it is flat and bare, with no grass, trees or sand. The island shakes violently, and the two sailors return to Captain Aziz's ship, leaving Sinbad and Habeeb behind. The island reveals itself to be the fin of a gigantic sea monster, which swims away. Captain Aziz's ship leaves as well, leaving Sinbad and Habeeb stranded in the middle of the ocean.
A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.
An untalented writer attempts to achieve a "lifelike" scenario fail in a dozen policier.
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
Disney and Pixar present an incredible new collection of 12 short films, featuring multiple Academy Award® nominees (Best Short Film, Animated: "Presto," 2008; "Day & Night," 2010; "La Luna," 2011) and a host of family favorites. Join the celebration of imagination with this collection, packed with unforgettable animation, fantastic stories and captivating characters. Plus, enjoy all-new extras that share how Pixar's storied talent got their start — including student films from acclaimed directors John Lasseter, Andrew Stanton and Pete Docter!
Made between 1970 and 1975, Jeff Keen's films always contain internal layers and films within films. The twenty-four films here include hand-painted work, animation and montage.
A controversial still photographer specializing in grim death portraits translates his morbid sensibilities to the moving picture to offer an affecting look at death from an entirely unique perspective. Tsurisaki Kiyotaka specializes in the kind of photography that most folks would shrink away from. Over the course of his career, Kiyotaka has photographed more than 1000 deaths, a focus that often finds him facing legal problems in his home country of Japan. In this collection of short films, the photographer shifts his focus to the subject of war to offer a startling and sobering look at the aftermath of combat. Additional images of starvation, disasters, and tragic accidents highlight the fragility of human life and the grotesqueness of death's many forms.
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
The last ever Will Haven show filmed at Capitol Garage, Sacramento, CA Feb 2003. Also features the tour documentary "Foreign Films", and the music video for "Carpe Diem".
A showcase of short films by EJIDA Studios.
Much has been made of the Films style. Salon.com television critic Matt Zoller Seitz has called NFL Films "the greatest in-house P.R. machine in pro sports history . . . an outfit that could make even a tedius stalemate seem as momentous as the battle for the Alamo." NFL Films productions follow certain patterns. Film is mostly used, one camera is dedicated entirely to slow motion shots, microphones are present on the sidelines and near the field to pick up both the sounds of the games as well as the talk on the sidelines, and narrators with deep, powerful, baritone voices are preferred. Narrators have generally been from the Philadelphia metropolitan area, with well-known announcers such as Jefferson Kaye, Harry Kalas, John Facenda, Andy Musser, Jack Whitaker, William Woodson, and current announcer Scott Graham all having narrated NFL Films presentations at various points in time. J.K. Simmons was tapped to narrate the company's one-hour recap of the 16-0 regular season of the 2007 New England Patriots, while actor Burt Lancaster was tabbed for narrations during 1969. Burl Ives narrated the 1971 Washington Redskins highlight film. Team-specific films such as year-in-review films have occasionally been narrated by broadcasters or personalities involved with the team in question. Examples include the 1985, 2000 and 2001 Oakland Raiders season reviews being narrated by actor and former Raiders player Carl Weathers. Former Giant Frank Gifford periodically narrated New York Giants season reviews (notably the company's throwback-themed 2013 season recap) until his death in 2015, and ex-Giants teammate Pat Summerall narrated highlight films for many teams until his death in 2013. New England Patriots play-by-play announcer Gil Santos narrated the year-in-review films of the 1974, 1976, and 1978 seasons, and New Orleans Saints films from their inception in 1967 through 1979 were narrated by Don Criqui, who called Saints games for the NFL on CBS in the team's early years, and radio announcers Al Wester and Wayne Mack. The style has been called tight on the spiral, a reference to the frequently-used slow-motion shot of the spinning football as it travels from the quarterback's hand to the receiver. This shot usually consists of showing the quarterback throwing the football, then the camera zooming in to focus on the spinning ball, then, as the ball starts to descend, the camera zooms out, showing the end result of the ball traveling into the receiver's hands. NFL Films also dubs sound bites of local radio broadcasts over key plays, because radio announcers are typically more enthusiastic about their home teams than are network television broadcasters. In addition, NFL Films often uses multiple camera angles (with an emphasis on close-up shots that often exaggerate the speed of the players in real time). The company's films also employ muscular orchestral scores from a wide variety of musicians, notably Sam Spence, Johnny Pearson (whose "Heavy Action" became the theme for Monday Night Football) Frank Rothman, Ralph Dollimore, Udi Harpaz, Malcolm Lockyer, Jan Stoeckart (under his varied stage names such as Jack Trombey), Peter Reno, Paul Lewis, Prameela Tomashek, Dave Robidoux and Tom Hedden. The company's use of KPM Musichouse tracks also notably included Syd Dale; tracks include "Malestrom" for the company's 1968 Minnesota Vikings season highlight reel and also the psychedelic-flavored jazz track "Artful Dodger" on the film recap of Super Bowl V, specifically during the montage which shows Johnny Unitas' 75-yard touchdown pass to John Mackey which was tipped in flight by Eddie Hinton and Mel Renfro before bounding to Mackey. The company also makes prolific use of footage of players and coaches in the locker room after the game. With these techniques NFL Films turns football games into events that mimic ballet, opera, and epic battle stories. Among the company's most famous creations is the poem and accompanying music cue "The Autumn Wind", which have become official themes for the Oakland Raiders.
African American Short Films is an American television show. It is the only nationally televised program, in first-run syndication, featuring short films starring, produced, written or directed by African American filmmakers. The show has received several Telly Awards. African American Short Films began airing in 2002 as a one-hour quarterly television special in first-run syndication. The program was created by veteran television producer Frank Badami.
NFL Films half-hour to one full-hour yearly team highlight videos.
NFL's Greatest Games is a series of television programs that air on NFL Network, ESPN and related networks. They are condensed versions of some of the most famous games in the history of the National Football League, using footage and sound captured by NFL Films, as well as original interviews. All installments produced before 2015 are 90 minutes in length, and are presented with a title in respect to the game being featured. Starting in 2015, new installments produced run for either 30 minutes, 60 minutes, or 90 minutes, and no longer have a title beyond the actual game itself that is featured.
The Short Films of David Lynch is a DVD collection of the early student and commissioned film work of American filmmaker David Lynch. As such, the collection does not include Lynch's later short works, which are listed in the filmography. The films are listed in chronological order, with brief descriptions of each film. The DVD contains introductions by Lynch to each film, which can be viewed individually or in sequence to each other.
50 Films to See Before You Die was a television programme first shown on Channel 4 on Saturday 22 July 2006, to celebrate the relaunch of Film4 as a free-to-air TV channel available to digital terrestrial homes in the United Kingdom. It consisted of a list of 50 films compiled by film critics, experts and personalities. Each film was "chosen as a paragon of a particular genre or style". Apocalypse Now was chosen as the #1 film. Recent movies dominate the list: nine are from the 2000s, twelve from the 1990s, nine from the 1980s, nine from the 1970s, and only eleven movies from all the years prior to 1970. Three of the 50 films on the list were produced or distributed by Channel 4's own Film4 Productions – Trainspotting, Secrets & Lies and Sexy Beast.
In Their Own Words is an player spotlight program featuring notable football stars in candid settings, both on and off the field. Great NFL careers are made on the gridiron, but sometimes the person behind the face mask is worth getting to know a little better. From a mastermind coach to a hall of fame player, In Their Own Words takes you on a ride with game footage, rare interviews, and candid player audio to really get to know what makes the greats great. Witness legendary coaches like Bill Parcells drill his players on the fundamentals of catching a punt. Hear one of the all time great quarterbacks like Brett Favre confess his true love for the game. And experience the regiment of one the all time hardest hitters like Ray Lewis, from practice all the way to game day. Without a host or narration, this show tells a story rarely told in professional sports today, the real story. For the most inside look at some the best, it's best to hear In Their Own Words.
Highlights of the NFL Regular Season, Playoffs, and The Super Bowl